Scale on infrastructure already paid for
Local and distributed processing across ordinary workstations and a simple Windows server—without requiring a dedicated shared-storage investment.
Kiff Production
We find where information, labour and time disappear in real unscripted television workflows—and build the systems that carry production knowledge from recorded material into the edit.
What exists now
The difficult part was learning the workflow deeply enough to know what must survive from one stage to the next—and then building infrastructure around that knowledge.
One continuous production flow
Logging, transcription and structured production material already carried through the systems.
Seventy programmes carried from production information into generated editorial timelines.
Up to fifteen times the efficiency where logging is a load-bearing part of production.
Public innovation nominations at Gullruten in consecutive years.
Local and distributed processing across ordinary workstations and a simple Windows server—without requiring a dedicated shared-storage investment.
Speech, metadata, scenes, stories, multicam and external sound remain connected instead of being repeatedly copied, flattened and reconstructed.
Manuscripts, scene boards, searchable material, AAF timelines, rough cuts and music reports arrive as usable production outputs.
The durable layer
“The application has no experience. It just works.”
The experience lives in the people who can enter a production, find where information and labour disappear, and rebuild the infrastructure around the real workflow. The code can change. That capability remains.
How we build
Observe where people wait, rebuild information, lose context or compensate manually. The system starts there.
Work with the tools, storage and editorial practices already carrying the production. Remove the breakpoints without demanding a clean-room workflow.
A fast transcription step means little if assistants or editors still inherit the same bottleneck. The outcome is measured at the edit.
Missing timecode, external audio, multicam, changing metadata and new editorial needs are not exceptions to hide. They are production.
2023 → now
Each generation is evidence of the same capability: meet the real constraint, preserve what matters, and build the next layer.
Speech recognition and speaker separation distributed across existing post-production workstations. Large interview volumes moved directly into established CatDV and Avid workflows with searchable markers.
Thousands of hours became searchable, structured and reusable inside active Norwegian television productions. The work received its first Gullruten innovation nomination.
Logging, scene construction, story structure, boards and manuscripts became connected representations of the same production information.
Scene boards, AAF timelines, multicam, external sound, rough cuts and music reports now carry that structure into operational editorial outputs.
A surface in the world
We build the surface contact requires without deciding who should find it or which contact will matter. Someone may arrive knowing why—or discover the connection here. We let contact happen, update from what actually changes, and move.