Kiff Production

We build infrastructure from inside production.

We find where information, labour and time disappear in real unscripted television workflows—and build the systems that carry production knowledge from recorded material into the edit.

Hours processed
5,000+
Programme rough cuts
70
Up to workflow improvement
15×
Gullruten nominations
2×
Enter the work

What exists now

The achievement is not an app. It is a production capability.

The difficult part was learning the workflow deeply enough to know what must survive from one stage to the next—and then building infrastructure around that knowledge.

One continuous production flow

  1. 01
    RecordedMedia, speech, sound and production context
  2. 02
    ProcessedHigh-volume local and distributed infrastructure
  3. 03
    StructuredLogs, scenes, people, stories and relationships
  4. 04
    EditableManuscripts, boards, AAF timelines and rough cuts
Hours processed
5,000+

Logging, transcription and structured production material already carried through the systems.

Programme rough cuts
70

Seventy programmes carried from production information into generated editorial timelines.

Workflow improvement
15×

Up to fifteen times the efficiency where logging is a load-bearing part of production.

National recognition
2×

Public innovation nominations at Gullruten in consecutive years.

01

Scale on infrastructure already paid for

Local and distributed processing across ordinary workstations and a simple Windows server—without requiring a dedicated shared-storage investment.

02

Keep production knowledge continuous

Speech, metadata, scenes, stories, multicam and external sound remain connected instead of being repeatedly copied, flattened and reconstructed.

03

Deliver into editorial—not into a demo

Manuscripts, scene boards, searchable material, AAF timelines, rough cuts and music reports arrive as usable production outputs.

The durable layer

“The application has no experience. It just works.”

The experience lives in the people who can enter a production, find where information and labour disappear, and rebuild the infrastructure around the real workflow. The code can change. That capability remains.

How we build

Start with production reality. Keep rebuilding against it.

01

Begin at the live workflow

Observe where people wait, rebuild information, lose context or compensate manually. The system starts there.

02

Integrate before replacing

Work with the tools, storage and editorial practices already carrying the production. Remove the breakpoints without demanding a clean-room workflow.

03

Measure the whole chain

A fast transcription step means little if assistants or editors still inherit the same bottleneck. The outcome is measured at the edit.

04

Let edge cases change the architecture

Missing timecode, external audio, multicam, changing metadata and new editorial needs are not exceptions to hide. They are production.

Local processing Distributed compute Transcription Logging Story structure Scene boards AAF Multicam External sound Rough cuts Music reporting Production signals

2023 → now

A sequence of production problems becoming infrastructure.

Each generation is evidence of the same capability: meet the real constraint, preserve what matters, and build the next layer.

  1. 2023—2024

    Distributed local speech infrastructure

    Speech recognition and speaker separation distributed across existing post-production workstations. Large interview volumes moved directly into established CatDV and Avid workflows with searchable markers.

  2. 2025

    From a processing pipeline to production memory

    Thousands of hours became searchable, structured and reusable inside active Norwegian television productions. The work received its first Gullruten innovation nomination.

  3. 2025—2026

    From production memory to story structure

    Logging, scene construction, story structure, boards and manuscripts became connected representations of the same production information.

  4. 2026

    From story structure into the edit

    Scene boards, AAF timelines, multicam, external sound, rough cuts and music reports now carry that structure into operational editorial outputs.

A surface in the world

The work has a surface now.

We build the surface contact requires without deciding who should find it or which contact will matter. Someone may arrive knowing why—or discover the connection here. We let contact happen, update from what actually changes, and move.